Edge blending projectors how to#
Edge blending projectors trial#

They easily cut through background noise such as chatter and command attention from your audience. Even though they are more of a traditional form of communication, these projector edge blending systems continue to play a vital role in addressing groups of people. They give you a quick way to address everyone at a given location. There are different equipment pieces of projector edge blending systems available at for varied uses. I would easily recommend that smaller theaters try using R114, R119 or other Hamburg Frosts when trying to blend projectors with different intensities.Projector edge blending systems can deliver your sound with high definition and clarity. Using frost to blend these projections was budget friendly and increased the audienceвЂ™s enjoyment. I found that the blur was less noticeable in simple video content (like our productionвЂ™s floating clouds), but the image-blur was more prominent in more detailed and complex content (such as projections that contained people or other similar content).ДЄ stage shot showing the final blend using the R114 on the projector lens.

ItвЂ™s worth noting that there was still a little image-blur as the video content passes through that section, but it was an improvement over scotch tape and definitely better than nothing at all.

Edge blending projectors how to#

We simply covered the onstage side of both projector lenses enough to blend their images to our satisfaction, and then we attached the frost in that position with gaff tape.В The R114 had no issues when it came to melting/warping as most of the heat was blown out the vents of these particular projectors. This course will explain what you will need to successfully complete edge blending demonstration with multiple projectors, how to configure edge blending for multiple projectors, as well as compatibility, software and hardware options for edge blending. Implementing this change was extremely easy.

Edge blending projectors trial#

Scotch tape on the edge of the projector lens helped вЂ“ but it could be better.ДЇinding the appropriate frost required some trial and error but in the end, it was decided that Roscolux #114 Hamburg Frost was the best option for our production. Knowing this, I decided that we might get better results if we use actual frost instead of tape. I found that the tape we used had a diffusion quality similar to R102. As you can see in the picture below, it was an improvement, but there was still a blended dark spot that almost obliterated the clouds when they traveled through the center. At first it was suggested that we try using scotch tape on our projectors, allowing its frost quality to blur the line in the middle. Note theВ seam in the center of the projection surface above that gives the appearance that of two separate panels.ДЄfter trying to address the problem in QLab, we began to explore low-budget, physical solutions to solve our problem. In my original tests, the two center projectors blended together almost completely however, once the installation began and the actual projection surfaces were in the air вЂ“ blending became a problem. In order to make this work on a small budget, we had to borrow a total of four projectors вЂ“ all of which had different lamp outputs. While working on a recent production of The Bridges of Madison County at the Clinton Showboat TheatreВ in Clinton, IA, the productionвЂ™s Scenic Designer, Steven House, approached me with the idea of creating a panoramic projection surface of the sky.